PAPER SESSION 13: Encounters with the Past: Legacy Media
Tracks
Rongomātāne B
Wednesday, November 5, 2025 |
3:00 PM - 4:30 PM |
Rongomātāne B |
Speaker
Alexander Garnett
Developer Advocate
Temporal Technologies
GPU-ACCELERATED FFV1 ENCODING IS HERE – A CASE STUDY USING TEMPORAL FOR DURABLE EXECUTION
Summary Abstract
GPU-based video encoding is widely available, efficient, and performant, but it has not been adopted in Digital Preservation tooling due to a lack of support for preservation codecs and a quality deficit when working with more common consumer codecs. Recently it has become possible to encode preservation-standard FFV1 video in ffmpeg using a GPU, which effectively addresses all previously-existing limitations of this approach. This short paper frames the current state of the art as well as why this development is so potentially useful, and provides a case study of using GPU-accelerated FFV1 encoding with Temporal, a Durable Execution platform that can enable further scaling.
Biography
Alex Garnett is a Developer Advocate at Temporal Technologies. He was previously a Research Data Management & Systems Librarian at Simon Fraser University and a writer at DigitalOcean.
Mr Tyler Thorsted
Digital Preservation Manager
Brigham Young University
WHEN A FOLDER IS NOT A FOLDER
Summary Abstract
Generally file formats on modern systems are single byte streams, and there are many tools available to help identify and determine what software is needed to make use of the format. When dealing with formats born on Macintosh systems, a single byte stream is often not all that is needed to make use of the formats. On older Macintosh systems a Type/Creator code and a resource fork are often needed, and on more modern systems there are other challenges that need to be addressed. This paper explores some popular formats and tools that are needed to properly assess and capture important metadata in a preservation workflow. The formats explored in this paper use a complex document package to create a file format.
Biography
Tyler Thorsted is currently the Digital Preservation Manager for Brigham Young University in Provo, Utah. Previously he worked at the Church History Library in Salt Lake City, Utah. He enjoys file format research, and he specializes in Macintosh based format identification.
Carl Wilson
Open Preservation Foundation
Preserving Spreadsheets with Open Standards: A Collaborative Approach
Summary Abstract
This paper outlines a collaborative initiative by European national archives within the Open Preservation Foundation (OPF) to address the long-term preservation of spreadsheet data. Recognizing the risks associated with vendor lock-in and the ephemeral nature of commercial software solutions, the group focused on adopting and extending the OpenDocument Spreadsheet format (ISO 26300), an open standard. They developed a free and open-source (FOSS) validation tool to ensure compliance with both the standard and additional archival requirements, such as disallowing encryption and macros. This case study demonstrates the benefits of community-driven development, open standards, and FOSS tools for digital preservation, highlighting the importance of organizations like the OPF in maintaining long-term access to information.
Biography
Carl Wilson is the Technical Lead for the Open Preservation Foundation. Carl has worked in digital preservation for nearly 20 years, on collaborative, practical projects including PLANETS, SCAPE and PREFORMA.
Asbjørn Skødt, MA in History, is a former Digital Preservation Officer at the Danish National Archives. At the DNA, he worked with file formats, standards and international cooperation. He is now an IT Architect at the University of Copenhagen. He participates in the organising group for iPRES 2026 in Copenhagen.
Neil Jefferies is the Executive Director of the Open Preservation Foundation. A co-creator of the International Image Interoperability Framework, and the Oxford Common File Layout. He is the Community Manager for the SWORD protocol, and a member of the Bit List Council for the Digital Preservation Coalition.
Nastasia Vanderperren
Expertise Officer
Meemoo, Flemish Institute For Archives
Preserving 3D Scans: A Journey
Summary Abstract
The world of digital heritage is rapidly evolving, with 3D scanning becoming increasingly common use to preserve valuable heritage artifacts. Are we adequately preparing for the long term? Our research into the preservation of 3D scans tackles that crucial question, by investigating how cultural heritage institutions preserve these valuable 3D assets. A recent international survey and literature review revealed a concerning gap: while 3D digitisation speeds ahead, preservation often lags behind. Many organisations rely on fragile solutions like simple backups or online platforms, hardly ideal for ensuring future access and understanding the data.
Our study emphasizes that robust preservation requires more than just saving the 3D file itself. It highlights the importance of selecting appropriate archival formats, favouring open and text-based options like X3D, STL, and OBJ, alongside preserving original raw scanner data, a vital safeguard against future software incompatibilities.
Comprehensive metadata is key to preserve these 3D models. This goes beyond descriptive and technical metadata, but includes paradata and provenance metadata. Paradata is detailed information of the creation of the model, such as scanner settings, processing techniques and decisions. Provenance metadata describes the history and origins of a 3D model, ensuring authenticity and transparency. We researched specialised 3D metadata models like CRMdig and the Smithsonian 3D Metadata Model which provide the ability to store these essential metadata.
Ultimately, this research journey underscores a critical need: to bridge the gap between rapid digitisation and thoughtful preservation. By prioritising raw data, embracing open formats, and implementing robust metadata strategies, we can safeguard these digital treasures and the stories they tell for generations to come.
Our study emphasizes that robust preservation requires more than just saving the 3D file itself. It highlights the importance of selecting appropriate archival formats, favouring open and text-based options like X3D, STL, and OBJ, alongside preserving original raw scanner data, a vital safeguard against future software incompatibilities.
Comprehensive metadata is key to preserve these 3D models. This goes beyond descriptive and technical metadata, but includes paradata and provenance metadata. Paradata is detailed information of the creation of the model, such as scanner settings, processing techniques and decisions. Provenance metadata describes the history and origins of a 3D model, ensuring authenticity and transparency. We researched specialised 3D metadata models like CRMdig and the Smithsonian 3D Metadata Model which provide the ability to store these essential metadata.
Ultimately, this research journey underscores a critical need: to bridge the gap between rapid digitisation and thoughtful preservation. By prioritising raw data, embracing open formats, and implementing robust metadata strategies, we can safeguard these digital treasures and the stories they tell for generations to come.
Biography
Lode Scheers is an Expertise Officer at the non-profit organisation meemoo, Flemish Institute for Archives, advising and providing technical support about digital preservation to GLAM institutions in the cultural heritage field. He is also the IT Officer at the same organisation.
Nastasia Vanderperren is an Expertise Officer at meemoo, Flemish Institute for Archives, specialised in digital preservation, IIIF, computer vision, and old technologies. She is involved in research projects, and advises GLAM institutions on all kinds of cultural heritage processes.
Dr Ping Wang
professor
Wuhan University
INTERACTIVE PRESERVATION OF DIGITAL CULTURAL HERITAGE VIA METAVERSES: A CASE STUDY OF DIGITAL SHAOLIN
Summary Abstract
In response to growing challenges in preserving cultural heritage sites, this study introduces a metaverse-based framework that transforms static digital preservation into an immersive, interactive digital ecosystem. The framework employs a structured ontological approach for high-fidelity data acquisition and multi-scale modeling that integrates both geometric and semantic layers. An advanced metaverse platform utilizing advanced mixed reality technologies provides context-aware, multisensory narratives, while a dynamic narrative engine—powered by knowledge structuring, adaptive interaction logic, and multimodal integration—enables personalized storytelling. The Digital Shaolin project serves as a case study, demonstrating the practical reconstruction and dissemination of the Shaolin Temple’s cultural heritage. This study contributes to the development of a sustainable and evolving model for digital heritage preservation and engagement.
Biography
Dr. Jingrui Hou is a postdoctoral researcher at the School of Information Management, Wuhan University. Her research focuses on digital humanities and the integration of technology with cultural studies.
Professor Ping Wang is a faculty member at the School of Information Management, Wuhan University. Her research specializes in Smart Archives and the intelligent transformation of archival systems.
Mr Qibiao Hu is a Ph.D. candidate at the School of Information Management, Wuhan University. His research focuses on the metaverse and human-computer interaction, particularly immersive digital environments.
Dr. Fu Zhang is with the North China University of Water Resources and Electric Power. His research interests include 3D modeling, digital reconstruction, and spatial visualization technologies.
