G6: Place, Identity and Collective Memory
Tracks
6
| Tuesday, December 1, 2026 |
| 1:45 PM - 3:00 PM |
| RH102 |
Overview
Stream: Memory, Identity, Migration and Belonging
Paper / Session Submitter
Sophie Butler
Director
Full Circle Heritage
Place, Belonging and Identity: The Role of Cultural Heritage in Community Well-Being
Summary Abstract
The study of well-being is gaining traction across many academic disciplines, with a strong emphasis on the factors that shape individual and collective well-being. One particularly compelling area for deeper analysis is the connection between community well-being and cultural heritage. This paper presents the findings of a literature review undertaken in May 2025 which analysed 187 papers reporting on this relationship, offering a synthesis of the central themes identified by researchers over the last 50 years. This analysis highlights the many disciplines considering the issue from different theoretical perspectives, as well as the various impacts to community well-being experienced when communities interact with cultural heritage of all types. What is consistent across the data is the integral role cultural heritage plays in strengthening community identity and social cohesion, which is reinforced by the emotional benefits of place attachment and belonging.
Biographies
Sophie Butler is an Australian cultural heritage specialist with over 25 years’ experience. Much of her expertise lies in the management of cultural heritage issues relating to development and conservation, understanding how these issues connect with communities, and helping clients assess and manage associated impacts and opportunities. In recent years her focus has shifted to the facilitation of community participation in heritage processes, recognising the important role cultural heritage plays in community well-being.
Currently living in Singapore and having just completed an MA in Cultural Heritage Management from Johns Hopkins University, Sophie is now pivoting to pursue research interests and community capacity-building projects in Southeast Asia. She hopes to apply her substantial professional skills and experience to the field of academic inquiry with the view to developing practical evidence-based solutions to real-world threats and issues affecting communities and their cultural heritage.
Dr XIANGRUI XIONG
Assistant Researcher
Southeast University
Remnants or heritage? Reexamining the existing significance of rural megastructures
Summary Abstract
The remnants of rural industrial megastructures, such as tall chimneys, water towers, simple lime kilns, and elevated canals, that have lost their original functions, are often labeled as depressed and unfavorable. It is crucial to re-examine the relationships behind these remnants from the perspective of the adaptive reuse value judgment and philosophy of old objects born from realism. From the perspective of poetic dwelling, (1) decentralized historical narrative - megastructures are the legacy of laborers' contributions to modernization; (2) laborers' standpoint of survival poetry - megastructures are memory anchors and still usable objects; (3) alienation of spatial power and pastoral utopia - megastructures continue to participate in local reconstruction; these are the value sources for these remnants to obtain heritage status.The rural megastructure is not only as large-scale artificial objects, but also as relational heritage embedded with poetic ways of dwelling, connects people with people and with the land.
Biographies
Xiangrui Xiong, is an assistannt researcher from Southeast University and Polytechnic University of Catalonia. His research focuses on identity of heritage, regeneration of rural industrial heritage, and architecture and territory design. He has published lots of research articles related to this field, including a monograph.
Yanhui Wang, Ph.D., is a nationally certified architect of China. He is a professor at the Research Institute of Architecture at the Southeast University. His research areas are public building design and relative theories, modern architecture heritage conservation and adaptive reuse, and rural heritage.
Ms Dandan Li
Master Student of Visual Arts in University Malaya
Individual
Visualizing Thai-Chinese culture and Collective Memory through Murals and Paintings on Songwat Road in Bangkok Thailand
Summary Abstract
This study examines the role of murals and oil paintings in shaping collective memory and cultural identity along Songwat Road, a historic Thai-Chinese district in Bangkok. Situated within heritage-led urban revitalization, it explores how visual arts operate as active agents in the reconstruction and commodification of migrant memory amid commercial redevelopment. Drawing on theories of collective memory and "lieux de mémoire", the research situates visual interventions within broader socio-cultural and market-driven dynamics of heritage representation. Addressing a gap in existing scholarship focused on architectural conservation, the study foregrounds visual arts as mediators between history, community identity, and economic revitalization, revealing a shift toward affective and market-oriented cultural signification.
Biographies
The author is pursuing a Master degree inVisual Arts at University Malaya, with thesis topic regarding the field of Heritage and collective memory. The author’s research interests engage critical heritage studies, cultural communication and community-based practices, with particular attention to cross-cultural contexts and contemporary approaches to heritage interpretation.
Mr Murray Parker
Phd Candidate
Charles Sturt University
A multisensory puzzle: perceptions of (multi)sensory heritage at European Christmas markets
Summary Abstract
Christmas markets offer a wealth of sensory experience and historical/cultural value. Whilst (multi)sensory experience may be recognised as heritage if having social value and transmitted intergenerationally, no research has investigated on-site Christmas markets heritage perception, or the sensory experience thereof. To explore this, five European Christmas markets were examined (Dresden, Mainz, Frankfurt, Offenbach, Birmingham) using a novel bi-partite methodology of on-site interviews and a stallholder survey investigating sensory perceptions and heritage attitudes, alongside sensory data field measurements.
Whilst iconic sensory elements reveal ascribed heritage, combined sensory experience (multisensory puzzle) was considered essential, itself forming an inseparable culturally significant component. Furthermore, participant localness and child visitation were related to higher degrees of meaning and significance, and sensorial experiences acted as a vehicle to advance other heritages. These findings extend the debate of intangible heritage meaning, sensorial memory connections, the interconnectedness of tangible and intangible heritage, heritage identity and intergenerational heritage engagement.
Whilst iconic sensory elements reveal ascribed heritage, combined sensory experience (multisensory puzzle) was considered essential, itself forming an inseparable culturally significant component. Furthermore, participant localness and child visitation were related to higher degrees of meaning and significance, and sensorial experiences acted as a vehicle to advance other heritages. These findings extend the debate of intangible heritage meaning, sensorial memory connections, the interconnectedness of tangible and intangible heritage, heritage identity and intergenerational heritage engagement.
Biographies
Murray Parker is a professional musician, specialising in percussion and timpani performance across many genres including film score, popular, orchestral and historically informed early music. As a heritage professional, his research explores sensory and multisensory experience of the built environment with a particular interest in how sound may communicate meaning in different settings and the processes by which generated sounds may transform over time.
Dirk H. R. Spennemann researches and teaches Cultural Heritage Management and Environmental History and Historic Ecology with an emphasis on the Indo-Pacific Region. His current research foci are heritage theory, especially emerging technological heritage(s), the history and heritage of Punjabi immigrants during the nineteenth and early twentieth centuries; as well as the physical manifestation of human responses to the Indo-Pacific environment during the nineteenth and early twentieth centuries.
Jen Bond is a Senior Lecturer in Human Geography, undertaking research within the spheres of human-wildlife conflict and agricultural development. Her work engages a range of methodologies to understand the links between humans and their environments with particular focus on conflict, social acceptability and behaviour change.